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Atlab/Kodak Collection
The Atlab/Kodak Project is the result of an NFSA initiative that builds on the already successful collaboration with our valued project partners, Atlab Australia and Kodak (Australasia) Pty Ltd, to preserve and make available a selection of significant colour Australian feature films - in the format and condition they were originally intended to be seen. The project spans 5 years until 2011 and in that time pristine prints of 25 titles will be produced for the Cinema Lending Collection.
As a result of this initiative the following features are already available for loan:
The following feature films are now available on request:
- The Coca Cola Kid (Dusan Makavejev, 1985)
- Long Weekend (Colin Eggleston, 1978)
- Manganinnie (John Honey, 1980)
- Monkey Grip (Ken Cameron, 1982)
- My First Wife (Paul Cox, 1984)
- No Worries (David Elfick, 1992)
- Proof (Jocelyn Moorhouse, 1990)
- A Street To Die (Bill Bennett, 1984)
- The Tale of Ruby Rose (Roger Scholes, 1987)
For information on the screening of these premium quality film prints, see Theatrical Loans.
Acknowledgement:
The National Film and Sound Archive must be acknowledged as the source of the print on loan for screenings in any publicity/promotion of the screening(s). For films that are part of the Atlab/Kodak Collection, the sponsors, Atlab Australia and Kodak (Australasia) Pty Ltd, must also be acknowledged for their generous support in developing a major collection of new prints for screenings. The logos for the National Film and Sound Archive, Atlab/Kodak, or any other logo leaders supplied at the head of a print must be included in a prints' screening to your audience.
